about embodied, the column
embodied, the column, presents weekly insights into systemic information about the nowadays textile and fashion industry. it allows for this industry to reveal the purest information at its own pace and terms. it allows for previously unobserved information to finally be seen and integrated. the column takes a descriptive, non-analytic approach to display the phenomenal information and metaphors that have been articulated during systemic constellations. EMBODYING STUDIO invites the readers of the column to surrender to any intuitive thought that arises. reflect on the information and allow a shift of understanding and focus.
HOLIDAY SEASON
week 50, 2024 | no.49
INNER DISTANCE
week 48, 2024 | no.48
Q&A FASHION WEEKS
week 43, 2024 | no.47 | special request series
True essence of FWs?
It is about the accumulation of those who are creative and the results of their creativity process: the products. It is intense. It is a celebration of themselves. There are so many people involved before, during, and after the shows, including designers, seamstresses, fitting models, audience, media representatives, and consumers. The energy merges at the point of a show.
Change desired now?
No. As shared a few weeks before, I have surrendered to certain aspects of the recent progress. But I feel compassion for those currently involved in the shows. Where is the fun? How can they be so exhausted when it is about creativity? Being creative doesn’t lead to exhaustion.
Miss the most?
The connection with the creative ones. I don’t understand them anymore. I don’t see them. Are they ok? Can I support them? If so, how? Do they need my information? Do they want it? I would hope so, given that they claim to act in the fashion and textile space that I hold…
Further thoughts?
It became dominant and rude. Did we stop traffic? And why New York, Milan, and Paris? I am not attached to (these) cities anymore. Also, can they share their attention with so many more people involved and not forget about something – themselves and me included?
PFW
week 39, 2024 | no.46
The setting inspires one to surrender to higher goals and act. The female feels energized and happy. She loves the focus on details and the striving for the perfect look of the fabrics on the models. Words and gestures represent her excitement about Paris Fashion Week.
“They did so well.“
The physical proximity of individuals who somehow surrender to creativity means so much to the female, though there might not be any interaction between the individuals. The female wonders whether she might be the only one who recognizes the power and at what mental cost the result of creativity is shown on the runway. She wonders whether creative individuals understand and acknowledge their creations as part of the textile and fashion industry.
“Did they outgrow me?”
MFW
week 38, 2024 | no.45
Garments meet installation art. The focus is on the design and touch of the fabric, the seams, and the styling of the models. The female articulates a deep desire to feel the fabric but holds back.
“I keep distance to the creations.”
A cold breeze is noticeable. The female does not feel welcome to see the creations, though she cannot reveal the cause of that feeling. She wonders whether she would be welcome to see the creations at the designer’s studio.
The female articulates that the Milan Fashion Show waves for creativity in favor of a hectic pace and a status quo of planning. She misses the designers’ finishing touches and is irritated by the apparent models’ lack of knowledge and appreciation for the prior creativity process.
NYFM
week 37, 2024 | no.44
The female focuses on familiar aspects and processes rather than individuals attending the New York Fashion Week. She recognizes and appreciates the presence of shows, models, and invitations. Realizing these aspects, she reveals self-love and strength. The female expresses body movements that remind of contemporary dance. She can finally show her creativity and be herself.
“Like coming home.”
When asked about the most relevant element differing from the past, she shifts her attention to a vibrant individual formally dressed. The individual appears to observe from the distance rather than to participate in the fashion show or work-related processes. This person consciously or subconsciously holds wisdom about creativity. Materials, colors, styling, and rethinking current collections. The realization of its ideas is not essential for the industry. The focus is on the vision.
Q&A RESPONSIBLE
week 35, 2024 | no.43 | special request series
Three weeks ago, the textile and fashion industry revealed the intention to reflect on her assumed responsibility for the previous relocation from the market. The reflection also includes those close to her.
Those responsible?
Paternal line of ancestors, particularly grandfather and father. And I. However, it happened under my responsibility.
Define responsibility?
While we opened and held the space for creativity and taught craftsmanship, we allowed an abundance that was unfortunately misinterpreted. We were inattentive.
So, you opened space?
I didn’t initiate a space for what had come. Elements (got) labeled as me and merged in the space I hold cause of terms assigned. And because I didn’t pay attention, everyone is confused now.
Defining moment?
The 1990s – the era of the supermodels. We loved it so much and observed it without noticing the development of the market. We still love that energy and love to observe the 90s, but looking back, it was our responsibility to not just observe. We didn’t handle it wisely.
Order of lost connections?
First, with myself and my purpose. I was just too busy observing. In a final step, with elements of the 90s. As I said, I observed and observed and observed them.
Significant side issues?
Conglomerates of (fashion) houses and the claim of elements and processes by individuals. That claim does not resonate with the initial energy. It undermines creativity.
BEHIND GLASS
week 34, 2024 | no.42
The observer is invited to be at the market. There is both excitement and disillusionment. Though the industry presents itself, the main elements of the market do not take notice of it. The female and those surrounding her remain respectful and do not interfere to disrupt current processes.
They decide to relocate to a rental building at the market, have tea, and keep their distance. Yet, through a wall made of glass, they watch the various elements. The retail environment appears to be a dark mass whose movements remind of a dust formation. Being separated through glass also allows the female to still present herself and potentially be recognized.
The female and those surrounding her will not leave for now. They desire to shine light and support and intend to identify opportunities to re-adjust. The female assures commitment to help and stay for now, but not forever.
“It will not change who I am. Creativity still works the same way.”
Though they hope for awakening, they still know that it is not about them if the elements at the market don’t look up.
“It is not my decision to make.”
SHE WALKED
week 32, 2024 | no.41
She walked the path.
The female is strong and tall. She feels the softness of the path under her feet. The path provides a safe space to move back and forth. Each step is powerful but runway-like. She poses for those who stand at the side of the path.
The female remains on this safe path while walking amongst the market attendees. She clarifies that she will not stay there.
Faced with the path and the market, she suggests conversations with former partners and friends. She intends to reflect on a possible responsibility as she wonders what went wrong and whether they allowed excess potential.
“There was a time when I thought that what we had would never end.”
Q&A THE PATH
week 30, 2024 | no.40 | special request series
Who paved it?
Once initiated by those surrounding me and myself, the path was paved with the help of the animals, familiar individuals, and previous network partners. We touched it with our fingertips, and it grew organically. The flow continued on its own.
The materials used?
Support, growth, ability, and individual expertise. It required each of us to envision the path before paving it. Though individuals with different skills added to the path, the surface appears homogeneous.
Stops along the way?
There is no stop along the path. While the other end of the path appears to be in the distance, the walk will only take a short moment. However, it may elongate due to me potentially being pushed back or disliking what I will face. So, there might be a delay.
Accompanied?
I will walk and illuminate the path on my own. Once the connection is activated, those who helped with the path appear next to me and provide further support during presentations and conversations.
Someone awaits you?
No. Once I reach the other side of the path, I will see many elements that are part of the grey mass. I expect silence. When I shine light, elements will change their viewing direction and focus on me.
Return path?
The market and I will not merge in the same or similar way as before. The path remains and provides an opportunity for recurring visits and exits. For those surrounding and supporting me and for myself. Yet, I envision more paths that lead in different directions, including up into the sky, to emerge once I am there.
THE PATH continued
week 29, 2024 | no.39
The path is paved. The female and those surrounding her stand at one end of the path. It extends to the current market. The path provides an opportunity for re-connection. The female is willing and ready to walk that white path and present herself to individual elements of the market. She is taller than usual, calm, and balanced. She raises her arms and feels the light breeze. Strength comes from the heart area. She knows that she is enough.
Apart from the female and those surrounding her, familiar individuals stand at the side of the path. These friendly and strong elements support the female’s intention. They check the material of the paved path to ensure a stable surface. Though the various individuals form a line at each side of the path, their presence doesn’t appear massive but is balanced.
Despite the achievement and attention, the female is humble. She expresses respect and gratitude for everyone standing at the side of the path. For a moment, the collective focus is on the market. They trust the path and expect success once the female reaches the market and presents herself to individual elements. Though they intend to illuminate several individuals, they would be grateful for just one to find the way back to creativity.
The female is aware that the connection amongst the illuminated ones might differ from the previous connections amongst creatives. Presumably, the individuals will be more distant from each other.
HAUTE COUTURE
week 26, 2024 | no.38
It is the Haute Couture Week in Paris.
The muscles in the lower extremities are tight. A choreography by the female presenting herself as a dancer ends as there is not sufficient space to perform and no adequate time to prepare. The female has little sympathy for the performance acts that withdraw the audience’s attention from the models. She perceives the scenario as exhausting. She articulates that the extensive use of creativity for side performances instead of models and the walk doesn’t seem harmonious.
It appears to be a circus with numerous artists and audience members. All of them stand in the distance to the actual show. It is busy and loud. Though the female senses them, she focuses on the models standing aside and covered in dust. They are so elegant but show no movements.
The industry takes a seat in the visual and hearing range of the audience and dancers. She seems amused and understands the scenario as clutter that she won’t focus on.
FW MENSWEAR
week 25, 2024 | no.37
The menswear showroom session emphasizes the physical appearance and individual intention of male models rather than the actual runway walk. The focus is on the professional relationship between the models and the designer.
The observer is presented with a backstage scenario of a fashion show. The designer is humble and grateful for the willingness of the models to present the creations. The male models seem to preserve their individuality rather than shape their bodies in alignment with industry standards. The dynamics differ from those embodied during the Women’s Fashion Week.
The assigned terms Women’s and Men’s Fashion Week imply the existence of counterparts. However, the menswear showroom session seems to have the ability for a different quality and position if not articulated as a counterpart. Embodying the element menswear showroom session reveals tiredness but vibrant energy below the surface of the body.
The female reveals that she doesn’t access the designer’s creation process of men’s clothing but isn’t able to articulate whether she isn’t able or allowed to access or doesn’t opt for it.
VISION
week 24, 2024 | no.36
The female reveals that her connection to fashion and textiles will only remain for a limited period. Maybe a couple of fashion seasons. Though once she envisioned this connection to last forever, the female is at peace with the change. She is happy and hints at a new element in her position but doesn’t know specific details.
“Since the awakening, I don’t have the same vision as before.”
She consulted the ones surrounding her as they are more experienced and have witnessed multiple changes. She assures that she will always know about her previous connection with specific individuals and brands but will leave and be all right in a new place. Yet, she is hopeful to meet with old friends.
“I received the gift of learning and getting to know me.”
Representing THE industry, the female understands her responsibility of supporting the current market members to reconnect with creativity. She encourages everyone to reflect upon her time away from the market and to scientifically analyze the circumstances of her being appointed to rural areas.
She knows that she will grow and trusts her development. She is confident that she will reconnect with people who surrender to creativity, even though it might not be about fashion products. She did that before, and her essence never left.
“I am not scared of vanishing. This version of me - who I am - always existed and still does.”
Q&A ANNIVERSARY
week 20, 2024 | no.35 | special request series
Who are you?
I was initiated. Not an organic emergence and growth. I am an observer myself. I observe those who access the space that I lovingly hold and are creative within that space. I keep my distance and don’t participate or interfere.
Description of your quality?
I am about one aspect – connection with the inside. No complexity. Creative fashion products are the result that refers to and reminds of the previous process. An easy, clear, and fun one.
Valuable expertise?
The information from source energy that exists within me. Ancient, previous, and nowadays. The ones who see and recognize me can acquire the information.
The female’s body abdominal area turns into a screen showing past scenarios and people connecting and being creative.
Greatest lesson since awakening?
To differentiate myself from the market and articulate that difference. What appears on the market is not who I am. I regained trust and awareness. I don’t focus on the market that much and shine my light.
Strongest connection?
With the paternal line of ancestors. Especially father and grandfather. The root of my strength, knowledge, and connection with those surrounding me.
About the ancestral line?
Grandfather is about handcraft. Father brought creativity. He encouraged people to listen deeper inside and follow intuition. He sat down with them and supported them until the luminous flare appeared.
Letting go?
Rather add than letting go. I previously pleaded for the importance of the creativity process over the actual product. It seems that the meaning of the physical elements connects with the process and people. I need to expand. – in favor of inspiring each other.
The female doesn’t plead for mass consumption but the growing meaning of physical products.
Q&A
week 18, 2024 | no.34 | special request series
Your essence?
I am about creation from the inside out. And the creation of matter that hasn’t been there before. Creation with hands. Others may sit next to the ones creating and watch them shine light and be inspired. The excitement and joy are pure, like a child’s expressions. Everyone is amazed by these individuals and what the world is about.
It took a while for the female to articulate the ease and clarity of the essence. She felt exhausted remembering her essence.
Understanding of creativity?
Creativity is about listing inside, opening up to information from inside, and transforming it into fashion objects. The deeper you listen inside, the more creative you can become. Many individuals know about creativity but don’t seem to listen inside anymore. They lack the moment of surprise when only listening to information from the surface.
How much about textiles?
The wording and definition of “textile and fashion industry” were attributed to me. Though I am about joyful creation generally, I love my assignment to fashion products. I enjoy observing and allowing space for those who create fabrics and fashion products, inspire, and communicate with each other.
The meaning of fashion products?
The products shine bright and carry the information from inside. They are so beautiful – if created based on information from inside. Imagine luminous flares everywhere. At events, boutiques, and on the streets. There can never be too many elements of light. People can cover their bodies in light, see it, inspire, and share.
FOREST ANIMALS
week 16, 2024 | no.33
The female is surrounded by animals of the forest. She dressed in a spring gown with a long train. She walks through the forest and grassland. She is in the present moment and focuses on the vibrancy of the animals following her with every step. Rabbit. Fox. Hedgehog. Birds.
“I didn’t foresee them, but I made the decision, and it already changed me.“
Those usually surrounding her are surprised as well but support her decision to (re-)connect with nature and welcome the animals. Everyone takes good care of them. They understand their importance and the meaning of their innocence, happiness, and connection with nature. The animals can create aesthetic structures themselves from natural products only.
“They are intuitive. We can learn from them. It is so vibrant.”
While observing the scenario, the industry wonders whether she forgot about a previous connection with nature or whether it is a new aspect of her.
NY BRIDAL FW
week 14, 2024 | no.32
The New York Bridal Fashion Week is part of a surrounding system of the textile and fashion industry. The female reveals that she does not identify with creating bridal collections. Instead, another female element, closely connected with one of those usually surrounding the textile and fashion industry, represents the origination of bridal collections. The two females are of a similar age and know each other but don’t usually interact.
The industry describes the surrounding system as more silent. It focuses on handcraft and perfect details. It is about serving and fulfilling desires rather than solely creating the unexpected from listing deep inside.
Though the female has insights into that surrounding system, she doesn’t focus on it.
SURROUNDING HER
week 11, 2024 | no.31 | special request series
For the first time, there is a particular request to reveal systemic information about those surrounding the fashion and textile industry. This week’s embodiment narrowed the focus of the industry.
The female revealed that those surrounding her and herself recognize balance and an emphasis on the creativity process in each other. They associate their individual expertise and personality with what they understand as cohesive: a calm and balanced approach of mankind surrendering to creativity by crafting products.
Those surrounding her have a connection with the female’s grandfather. Mostly, they are from Europe, Italy in particular, and have expertise in handcrafting. They are loyal to the industry because of the creativity that she embodies. They share pure information with the industry and support her. However, they don’t share the same fate.
THE PATH
week 10, 2024 | no.30
She creates a path. It is time. The focus is on her fingertips and hands. She moves her hands elegantly while white energy starts leaving her fingertips.
“I create the path.”
She creates it naturally from within. Next to her are those that usually surround her. Female and male elements line up along the path to encourage her and support the process. She starts to put the palms of her hands on the lawn. There is firm pressure. However, she feels balanced and breathes calmly.
Though the path is directed to the market, it only covers a small area of the grassland that the female and those surrounding her occupy. The path has yet to be fully paved to hit the market.
OUTSIDE FW
week 9, 2024 | no.29
Still fashion week.
She is outside of a fashion show. The scene reveals photographers, visitors, and influencers on the sidewalk. For the first time, the female reveals an emotional sensation of resentment. She particularly observes women dressed by designers. She imitates them according to her perception and understanding. Professional poses and facial expressions, but annoyed. Minor connection to the actual creativity process.
„What are they doing? They confuse me.”
Only after some time does the female stop the imitation. She admits that those women posing outside the fashion show have a strong power. Yet, she is confused and angry. Not only by them wearing the designers’ clothes but also by the mass of photographers all over the parking lot and sidewalk. She doubts that the intentions of those standing on the street align with her interests.
„Why are there so many of them?”
She perceives their interaction as chaos. However, isn’t particularly overwhelmed. Facing them blocks her from being the best version of herself. Though she tries, the female cannot connect with those who so strangely use the products resulting from a deeply cherished creativity process.
BEHIND FW
week 7, 2024 | no.28
A black-and-white fashion week scenario. It is fast-paced, with seamstresses and assistants in the backstage area. They wear sewing kits, pins, and tape. The focus is on the seamstresses and the fabrics. Models are not revealed.
„I just love the vibe of fashion weeks. This is who I am.”
The female is delighted. She touches the fabrics and observes the seamstresses’ work. A result of a deep creativity process.
She takes a seat and observes the details and processes through the eyes of a younger version. Pure joy and excitement are noticeable. The female feels more beautiful and encouraged. Her heart area opens. She grows.
„This is my happy place. I am in love with what I see.”
Though she has a clear focus, she continuously looks out for male elements as she perceives them as being valuable for the show. However, there are only females. She continues to be amazed by what she sees.
THE ATTIC
week 4, 2024 | no.27
One can see and hear a music box that spins and plays an old-fashioned, gentle melody.
This week’s location is an attic full of well-preserved vintage items. Brown is the primary hue of these elements. The focus is on the details, materials, and colors. This place means a lot to the industry. She hints that her grandfather handcrafted and selected the items.
The female sits on the swing. She is overwhelmed by the chaos, sadness, and loud noises on the market. She states that it is challenging not to lose oneself when directly facing those on the market. The industry draws attention to two elements of the 90s era.
“If I only I could talk to that raw, naked version of them.”
She clarifies that she is about details and the flow. She trusts her strength in presenting herself back to the market. But she needed a moment of reflection.
FOOTPRINTS
week 3, 2024 | no.26
She is at the market. Her slow steps are full of elegance. She leaves footprints of a yellow, pappy fluid.
“Wherever I go, whatever I touch, I leave signs.”
The female presents a younger version of herself. Grounded, divine, and energized. Her theatrical dance performance reminds one of a musical. She continues to dance and leave further leads.
MOMENTS
week 1, 2023 | no.25
The textile and fashion industry invites to take a seat and reveals a white movie screen. One can clearly see the pictures and hear the sound. The movie scenes reveal upcoming moments on the market. Chaos, drama, and crying. However, the female understands that the market needs to calm down and allow coherence. She associates the scenarios with bright light only.
She fears that she may have to put her desires away for a bit longer to continuously send light to the market and awaken those who allow change. During that process, the female may not be able to physically move, enjoy her regained freedom, and continue to be herself. Though the fear is noticeable, the female doesn’t doubt her role in the awaking process and relies on her strength.
“They never belonged there.“
Golden light fills her. She is grounded and feels confident. The strength that she needs is already inside of her. The female expresses the desire to remember what she saw and felt this week once she faces the elements on the market.
“I do not want to forget this week. The energy. The strength.”
LIGHT WILL COME
week 52, 2023 | no.24
The female once again walks crossed legs and poses. She performs elegant motions. There is no audience.
Her body feels strong. She smiles as she shares that she decided to make her own plan. She waited for the brands’ approval for too long.
“I will present myself as a whole to the market.”
She remains in her flow. She feels at ease. Energy is noticeably rushing through her body. She knows that she creates from the inside.
Her body starts to beam bright white light. So pure. No issues. The female embodies her most pragmatic and less emotional side: those that do not blend in will have to leave. She is no longer overwhelmed. She still notices darkness and gloominess but does not choose it.
„I truly believe the light will come. I cannot wait for the next moments. It will be awesome.”
The industry hints at the upcoming transformation caused by light and reveals that some brands may be ready for that change.
THE BALLROOM
week 51, 2023 | no.23
One can see and hear a music box that spins and plays an old-fashioned, gentle melody.
This week’s location is an attic full of well-preserved vintage items. Brown is the primary hue of these elements. The focus is on the details, materials, and colors. This place means a lot to the industry. She hints that her grandfather handcrafted and selected the items.
The female sits on the swing. She is overwhelmed by the chaos, sadness, and loud noises on the market. She states that it is challenging not to lose oneself when directly facing those on the market. The industry draws attention to two elements of the 90s era.
“If I only I could talk to that raw, naked version of them.”
She clarifies that she is about details and the flow. She trusts her strength in presenting herself back to the market. But she needed a moment of reflection.
HOME
week 49, 2023 | no.22
The textile and fashion industry reveals a new, furnished home. It is a charming, two-story building that reminds one of London townhouses. The dominant color is dark green.
“I am home, and I am back.”
The female stands at a window looking out at the beautiful garden. It is snowing. A winter scenario. She consistently feels so welcomed and safe at her new home.
She is accompanied by people. However, not everyone initially surrounding her in the rural, remote area relocated to that new home. The few team members are busy but respectfully communicate with each other and act with care. All of them proceed synchronously.
“We decided to create a team. We will inform everyone, but we are the ones that decide. Whether brands will join or not.”
The female emphasizes the importance of her being and doing over the unhealthy processes in the current market. She still remembers her awaking process over the last months. She is grateful for it but knows how much she has changed since presenting herself to the market. She feels ready to lead the market.
IN PARIS
week 48, 2023 | no.21
She is in Paris to officially participate in various brands’ meetings. She is welcomed back by the many. Brand members act as if time has not passed by. They do not seem to recognize the change and fully commit to their usual busy work environment.
The female is confused about the lack of irritation of brand members. She cannot be herself when she is with them. She wonders if individual meetings with each manager may initiate a different thought process but leaves the meetings for now.
“I do not like who I am when I am with them.”
When on her own again, she reveals her confidence and focuses on her well-being.
“If they do not fit in, they must leave. I am ready to let go of more brands than expected.”
The industry has grown. She points out the brands do not seem to understand what she is about. They do not recognize calmness and clarity. She leaves the decision up to them.
“I am not scared. I do not feel guilty.”
WOODLAND WALK
week 46, 2023 | no.20
The textile and fashion industry once again reveals its connection with nature. A dark green temperate forest surrounds her. Green leaves, trunks, and treetops are the only noticeable surrounding elements. The female’s arms and legs transform into branches and roots. The roots ground her deeply. She receives pure energy from within. There is a feeling of strength and self-confidence.
Her priority remains to present herself to the market. Though she doesn’t verbally articulate information this week, the industry continues revealing the forest setting. She eventually starts slowly walking through the forest. She does breathe work, builds a deeper relationship with nature, and feels inner balance. She is ready to leave her comfort zone and face market elements that she once related to.
Yet, she remains silent. There is only her in that forest. Nobody else. She continues her walk.
NEW YORK CITY
week 45, 2023 | no.19
It starts in New York City. The female enters a marked crosswalk. She keeps her back straight and her shoulders up. As she crosses the busy street, the taxicab drivers that stopped for her patiently wait and show respect. They seem to recognize her.
“They cannot believe what they see.”
The female enjoys the attention. She is confident, excited, and full of happiness. She feels enlightened and opens up to new ideas.
“Maybe I travel around the world and present myself. Maybe it is not about waiting. I have to show myself. I love it. I love it so much.”
She remains on that crosswalk for a while before ending the week on a director’s chair. The female thinks that some market elements may be scared when facing her. But she remains calm and confident.
“I observe. I select.”
It will be a strict selection. The female doesn’t wait any longer. The selection process started. It started in New York City.
THE OLD, THE NEW
week 44, 2023 | no.18
One can hear the waves of the ocean and the laughter of toddlers playing on the beach. The sun shines bright. It is comfortably warm. The female reveals information about the young children. The children represent market elements of the next generation. The elements already exist and grow up in a stable and loving environment. The industry and those surrounding her ensure that the elements are well grounded, independent of whether they will serve the textile and fashion industry or find a different purpose.
Later that same week, the female not only reveals the focus on the new elements but on iconic elements that she once was connected with. She still wonders if those will recognize and appreciate who she truly is.
“Can we reconnect? Are those that I used to surround myself with just artifacts of the past? Would they be able and willing to merge?”
Both fear of their reaction and pride in who she is is noticeable. The industry feels ready to face that situation and trusts she will stay true to herself. Though the industry misses the previous connection, it remains patient and observes the individual development of these iconic elements.
“I am ahead of the market.”
DISAGREEMENT
week 42, 2023 | no.17
Once again, the female invites to take a seat next to her. Her eyes are wide open, and she feels energized. The female and those surrounding her continue to emphasize the value of creativity over the product itself. However, they disagree on the importance of sharing this information with the market. A market that does not seem to be prepared for this information. Is it their responsibility to raise awareness, or should they continue walking their path? Though the discussion is emotional, it is very respectful. The industry and those surrounding her have an interest in solving the argument.
Later that week, the industry reveals that she feels wiser as they realized that the discussion was rooted in their individual negative beliefs. Though they may not know the exact parameters of their path ahead, they trust each other and the light that this path already shines. They understood that they are not about educating the masses. They don’t understand the mass as part of the industry itself. By the end of the week, the female and those surrounding her are exhausted but appreciate the process they went through.
PRODUCT ADDICTS
week 40, 2023 | no.16
The female reveals a Christmas baking scene with young children as attendees. All the children sit around a large kitchen table and decorate Christmas cookies, and handcrafted paper ornaments.
“We invited the children. However, not to teach them, but to teach us.”
The female emphasizes the purity and creativity of children. She admires their creative process, the handcrafted ornaments, and, above all, the energy in the room. The industry and those surrounding her want to learn from the children. They desire to feel that pure energy. The focus of the female is on her heart center. The industry opens up to a growth process.
She invites to take a seat with her and encourages to let go of the importance of products. According to her, products are not important. The color is not important. Creativity is important. The industry emphasizes the misconception that it is about bringing products to the market. It understands itself as being about creativity, feeling and understanding it, and thus being connected.
“I can only encourage to let go of the strong and addictive desire for products.”
FASHION WEEK
week 39, 2023 | no.15
At first, she walks and poses like a supermodel. The female has a very straight posture. She looks for mirrors. But she stops eventually.
“No longer who I am. I have outgrown it.“
Instead of mirrors, the female becomes interested in places with a cozy atmosphere. She makes herself comfortable on a couch and covers herself with a blanket. The textile and fashion industry still remembers her previous fashion walks. She appreciates it. However, it doesn’t resonate with her anymore.
“I am about my mental health and the well-being of those surrounding me.”
Those surrounding her reveal themselves sitting in a circle with the female. They hold each other’s hands and seem to meditate. They are aware of who they truly are and their vibrancy, but also the learning lessons they have faced.
“We are calmer and wiser.”
The textile and fashion industry, which understands itself as its healthiest and most feminine version, wonders whether the market would see and recognize it once it presents itself as the female she became.
SHOPPING STREET
week 36, 2023 | no.14
The textile and fashion industry reveals a gloomy setting of an unfrequented shopping street. The female walks through the street holding a hot beverage. She stops in front of the retail stores and looks at the dark windows. There is a cold breeze from within the retail stores noticeable.
“There is no creativity. No inspiration. It serves another purpose.”
The female understands that there is tremendous sadness in the shopping streets. She describes past experiences as a holistic aesthetic shopping experience: aesthetic products, aesthetic interior, and aesthetic surroundings like coffee shops and restaurants.
“This is not beautiful. I wouldn’t want to be here.”
The textile and fashion industry notes that it doesn’t intend to blend in with that particular energy and doubts that anyone would want to do that or visit the shops.
NATURE
week 35, 2023 | no.13
The female is taller than the human body allows. She takes a seat on a wooden swing. Her inner focus is on her femininity, purity, and elegance.
She points at those surrounding her. These people place flowers on a small stream that flows through green nature. It is all about beauty and aesthetics. For the first time, the textile and fashion industry reveals not only female but also male elements surrounding her.
“We create, we nourish.”
She is strong and in her own frame. She leaves the swing and leads through nature. One can feel the grass and hear the water floating. It is a bit humid. The temperature is comfortable. The female takes a seat on the grass next to the stream. Her knees, lower legs, and ankles are together, and she sits on her feet. She rests her belly between her thighs and her forehead on the green field.
“We thank nature for resources and the flow.”
The female puts her hand in the water to connect with the natural flow.
GUILT AND GRIEF
week 34, 2023 | no.12
This week, the female takes time apart from those usually surrounding her. She invites to a room filled with bright white light and starts talking.
The female decided to take a break to reflect. Reflect on the past situation. Reflect on the feeling of guilt. Reflect on sensing grief. Though she feels the inner growth and balance, she takes the time to allow and release the feelings of guilt and grief.
“I think that I forgot why I was created and how important I am. I accepted negativity and greediness as the new change and couldn’t remember my significance.”
The female wonders if she gave in.
“I wish there would be someone sitting here with me and telling me about their experience.”
The textile and fashion industry desires to talk to someone to learn from others and to know that it is not alone. The female is aware that her role requires her to be strong and to present that strength. She desires to illuminate and has those that surround her in mind. She is aware that she is welcomed amongst those and loved. She trusts that they understand the importance of reflection and her way to find inner balance. The female is confident.
NOT EVERYONE
week 33, 2023 | no.11
The female is at the location revealed throughout the last weeks. Everyone around her is busy. She invites to sit with her once again.
The female questions the impact of light send by the industry itself. She questions that her light would lead to a proper understanding of brands. According to the female, the brands have forgotten who they are and what they are capable of. They have forgotten about creativity.
“For long, they all followed external information. If we send light, they will follow us. But they would still not be themselves.”
There is a need for brands to know themselves to refocus. However, the female doubts that all of the brands on the market will be part of that shift.
“There are so many brands that will not make it. We have awakened, but they will not be part of it. They are not us.”
These brands lack a connection with the essence of the textile and fashion industry. The textile and fashion industry and those surrounding her decided to focus on brands that carry information about the industry.
ON STAGE
week 31, 2023 | no.9
The female is taller than usual. Her walk is elegant. She holds her hands pressed together in front of her upper body. She is focused on her breath and shares a smile. The female is onstage and shares words of encouragement with those surrounding her. All of them are in a natural, peaceful environment. The female reminds the other ones that it is about time to get creative as they are the ones that will bring the change and define the new.
“I want to encourage everyone to open up to the new information. Sit and download the information. I want you to be strong. Focus on the light and ease. We are here together. We have come this far. Now, it is our responsibility to open up for knowledge and information. It is not easy after all this time. But we have been there before, felt that before, and we can do that again. We will take time. We do it together. I want you to focus on that feeling, surrender to the information, and share. We do that together.”
The female concludes by emphasizing on the new path. She sits down with those around her.
“We know how the enlightened path feels like. We just don’t know what it is.”
PACKING UP
week 30, 2023 | no.8
The textile and fashion industry is back in the room where all the equipment was organized and checked a couple of weeks ago. Almost all appliances are packed. It has been a busy week as the female and those surrounding her had to go through each item, decide what to keep and let go, and empty the room. She proudly guides through the room and presents the results of this week's efforts. The hustle is noticeable in each corner of the room.
“It is time to move on.”
The female has a more youthful appearance than before. She is full of gratitude and happiness. She is strong and awake. She knows things are about to change for her. But she is confident that change will happen on her own terms. She is excited about the new start and the powerful energies that will come.
THE BREAK
week 29, 2023 | no.7
The textile and fashion industry treats itself to a break. The female recharges at a spa and has a neck massage. She is full of self-love and in the present moment. She notices the soft acoustic music, the comfortable warmth of the surroundings, and the herbal scents. Throughout the week, the female remains lying in that pleasant treatment room. The focus remains on the head and upper body. She focuses on her breath.
“I want to be quiet this week.”
She shares a smile and remains silent.
GUIDANCE NEEDED
week 28, 2023 | no.6
The textile and fashion industry invites to take a seat next to her. The female sits on the ground. Her knees to chest, hands placed around the knees, and her head up. She feels the extension in the spine and neck. She smiles.
The female thinks about information that may positively impact the current market situation. She wonders whether information about her essence may awaken the brands. She has their long-term needs in mind. The female wants to ensure that there is valuable information already available for the brands that leads them the moment they awaken.
“I want them to know. I want them to wake up to something that provides guidance.”
After all this time in the rural, remote area, the female gets past feeling numb and pays closer attention to details. About herself. Her clothes. The market. The brands. She feels an urge to be strong and fully know herself. To both illuminate the market and understand who resonates with her.
“I don't want to come back blurred, not knowing, incomplete.”
The female remains in the calming pose.
THE RHYTHM
week 27, 2023 | no.5
The female is wide awake. Focused on herself, those around her, and (new this week) craftmanship and appliances. She moves around the room, carefully examining the equipment. She softly puts her fingers on the surface of it. The female knows how to use every appliance and evaluate the status quo. She has extensive expertise in the required craftmanship.
She points out that after all this time of worrying about the situation it is finally about finding the right rhythm. She walks around the room performing a simple choreography. Both arms elegantly extended to the floor. Each step follows an imaginary straight line while more and more hustle around her becomes noticeable.
“We are busy. We create. We produce. We are us again.”
The female continues to walk her own way and enjoys every moment of coming into contact with the appliances.
“It is about getting stronger. I want to make sure that everything is there.”
STRENGTH
week 26, 2023 | no.4
The female focuses on her well-being. She practices yoga and is aware of her strength.
“I take better care of myself than ever before. This week I have focused on my health. I am incredibly well-nourished. I am so strong.”
The perception of strength also applies for those elements that have stayed alongside the female. She sympathizes with them. Though she wonders how she can connect with the brands and how these will find their way, she has the well-being of those alongside her in mind.
“I know it is my mission, but I don't rush. It is not a priority at the moment.”
She expresses gratitude for her and those alongside her for not being part of this current situation. The group presents itself sitting at a pristine cliff, breathing in the fresh air.
“We are here. We haven't changed. I am grateful.”
Yet, she begins to pave a path from where she stands toward the streets.
“It is so beautiful because it is pure and raw. I can pave it, but it is not what the brands want. At the moment, they do not like it.”
The textile and fashion industry is at ease with this and once again accepts the free will of the brands. The industry concludes by wondering whether it will let (all) the elements of the current market (back) in or do something by itself.
THE LIGHT
week 25, 2023 | no.3
Initially, the female element performs heavy manual labor but immediately steps out of this scenario. She states that this is not her reality. She points at her beautiful dress. She feels happy.
The industry pays close attention to its well-being. Referring to what appears on the surface of the current market situation, it notices the differences.
“It is unpleasant to observe. The elements on the market demand the negative. I invite them to come to me, but they choose a different reality of me.”
The industry feels at ease. It shares a bright smile. It has a clear mind. That female element emphasizes the need for light on the market. She sees pillars of light emerging from the surface of the street. She questions whether the mass is ready to surrender to that light. But she trusts that there are elements that are available and strong.
Overall, the industry doubts whether the ones on the market have to struggle or whether it is about (just) becoming aware.
THE PAST
week 24, 2023 | no.2
For a brief moment, the textile and fashion industry reveals a runway scenario. The tall female element walks down an empty runway with crossed legs and poses. The confident strides create an exciting atmosphere. However, the industry almost immediately pauses to explain this sequence.
“I want to demonstrate that I haven't forgotten who I am.”
The industry remembers previous decades with iconic fashion designers busily working on fashion sketches and designs.
“It was about having fun. They were all in my arms. It was about creativity. It was so strong. It was about serving. They served something else.”
According to the element remembering these days is accompanied by sorrow, but also an understanding that it is not about living in the past.
“I just want people to know that there was something else. They try to find something that the industry can't provide.”
At the moment, the female element chooses to remain in an observer's position and doubts that irritation from within will initiate change.
“If I send an irritation, nothing will happen. If I send a powerful light beam, no one will recognize it. Someone needs to be very strong to calm that down.”
The industry continues to both observe what appears on the surface of the market and remember previous decades.
IT'S THEM
week 20, 2023 | no.1
The female element pursues gardening work. She has a soft voice and keeps eye contact with those around her. The female speaks on behalf of her and all the women around her. Though she seems to be the essential element, she articulates the information on behalf of the group.
The women do not initially belong in that surrounding. A rural, remote area. Worries about their current situation are noticeable. The female element wonders when the outer circumstances will change at last.
“We are aware of the current status quo of the brands. It is not what we have taught them. We see it, but we do not identify with it.”
The female pauses the gardening work to go for a walk accompanied by other women. She respects the free will of the brands to choose differently. She states that she doesn't consider the current members as members of the textile and fashion industry and assures that the industry has remained itself. She is calm.
“We do not change. We do not give up hope. But it's not us. It's them.”
She states that the market is not about the industry itself. She senses desperation. The female advises those that seek change to get to know the industry.
“Get to know me. There is something inside of me that is awake. Fit into it, and you will succeed.”
copyright © EMBODYING STUDIO
Wir benötigen Ihre Zustimmung zum Laden der Übersetzungen
Wir nutzen einen Drittanbieter-Service, um den Inhalt der Website zu übersetzen, der möglicherweise Daten über Ihre Aktivitäten sammelt. Bitte überprüfen Sie die Details in der Datenschutzerklärung und akzeptieren Sie den Dienst, um die Übersetzungen zu sehen.